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<p class=MsoNormal><font size=2 face=Arial><span style='font-size:10.0pt;
font-family:Arial'>It’s possibly verging more towards marketing than new
ringing theory, but people may be interested in this video recording of change
ringing on 20 handbells:<o:p></o:p></span></font></p>
<p class=MsoNormal><font size=2 face=Arial><span style='font-size:10.0pt;
font-family:Arial'><o:p> </o:p></span></font></p>
<p class=MsoNormal><font size=2 face=Arial><span style='font-size:10.0pt;
font-family:Arial'><<a href="http://www.youtube.com/watch?v=I2vxa5DMMBI">http://www.youtube.com/watch?v=I2vxa5DMMBI</a>><o:p></o:p></span></font></p>
<p class=MsoNormal><font size=2 face=Arial><span style='font-size:10.0pt;
font-family:Arial'><o:p> </o:p></span></font></p>
<p class=MsoNormal><font size=2 face=Arial><span style='font-size:10.0pt;
font-family:Arial'>The touch was rung during the wedding on Saturday of Philip
Saddleton and Anthea Edwards. I arranged the touch - it consisted of 98 changes
(2000 “bongs” including a whole pull of opening rounds!), rung in
the "mega-tittums" style with consecutive bells coursing. <o:p></o:p></span></font></p>
<p class=MsoNormal><font size=2 face=Arial><span style='font-size:10.0pt;
font-family:Arial'><o:p> </o:p></span></font></p>
<p class=MsoNormal><font size=2 face=Arial><span style='font-size:10.0pt;
font-family:Arial'>As such, it was quite analogous to the 16-bell handbell
touch rung at the 2006 ASCY dinner (which I described in a message to this list
here - <a
href="http://www.bellringers.org/pipermail/ringing-theory_bellringers.net/2006-November/001637.html">http://www.bellringers.org/pipermail/ringing-theory_bellringers.net/2006-November/001637.html</a><o:p></o:p></span></font></p>
<p class=MsoNormal><font size=2 face=Arial><span style='font-size:10.0pt;
font-family:Arial'><o:p> </o:p></span></font></p>
<p class=MsoNormal><font size=2 face=Arial><span style='font-size:10.0pt;
font-family:Arial'>I’ve been cheerfully promoting mega-tittums on higher
numbers for a few years, and various compositions by David Pipe, Robert Lee and
others have used this concept. The beauty is that the effect is of rounds /
backrounds of both little bells and big bells, with a transition between the
two as bells hunt up and down in the course, and moreover the effect propagates
continually through as many changes as are rung when the bells course in that
order .<o:p></o:p></span></font></p>
<p class=MsoNormal><font size=2 face=Arial><span style='font-size:10.0pt;
font-family:Arial'><o:p> </o:p></span></font></p>
<p class=MsoNormal><font size=2 face=Arial><span style='font-size:10.0pt;
font-family:Arial'>The touch we rang on Saturday consisted of three blocks:<o:p></o:p></span></font></p>
<p class=MsoNormal><font size=2 face=Arial><span style='font-size:10.0pt;
font-family:Arial'><o:p> </o:p></span></font></p>
<p class=MsoNormal style='margin-left:21.0pt;text-indent:-18.0pt;mso-list:l0 level1 lfo1'><![if !supportLists]><font
size=2 face=Arial><span style='font-size:10.0pt;font-family:Arial'><span
style='mso-list:Ignore'>-<font size=1 face="Times New Roman"><span
style='font:7.0pt "Times New Roman"'>
</span></font></span></span></font><![endif]><font size=2 face=Arial><span
style='font-size:10.0pt;font-family:Arial'>A section to get into the
mega-tittums. This had sequences of Bristol-style hunting to a point and
back to the rollup above the treble, with appropriate places made to ensure the
treble passed the bells in the order 2-3-4-5-6…etc. Below the treble, the
bells just treble-bob-hunt.<o:p></o:p></span></font></p>
<p class=MsoNormal style='margin-left:3.0pt'><font size=2 face=Arial><span
style='font-size:10.0pt;font-family:Arial'><o:p> </o:p></span></font></p>
<p class=MsoNormal style='margin-left:21.0pt;text-indent:-18.0pt;mso-list:l0 level1 lfo1'><![if !supportLists]><font
size=2 face=Arial><span style='font-size:10.0pt;font-family:Arial'><span
style='mso-list:Ignore'>-<font size=1 face="Times New Roman"><span
style='font:7.0pt "Times New Roman"'>
</span></font></span></span></font><![endif]><font size=2 face=Arial><span
style='font-size:10.0pt;font-family:Arial'>Some Forward 20 (this is just
treble-bob hunting with <st1:country-region w:st="on"><st1:place w:st="on">Kent</st1:place></st1:country-region>
places in 3-4 to prevent obvious falseness, ie the notation of each section is 34-34.1)
for when the bells are in the mega-tittums, until the treble gets back to the
front<o:p></o:p></span></font></p>
<p class=MsoNormal><font size=2 face=Arial><span style='font-size:10.0pt;
font-family:Arial'><o:p> </o:p></span></font></p>
<p class=MsoNormal style='margin-left:21.0pt;text-indent:-18.0pt;mso-list:l0 level1 lfo1'><![if !supportLists]><font
size=2 face=Arial><span style='font-size:10.0pt;font-family:Arial'><span
style='mso-list:Ignore'>-<font size=1 face="Times New Roman"><span
style='font:7.0pt "Times New Roman"'>
</span></font></span></span></font><![endif]><font size=2 face=Arial><span
style='font-size:10.0pt;font-family:Arial'>A section to get back to rounds –
bells just plain hunt until they hit a front roll-up, and then stay dodging
together in pairs until the touch comes round.<o:p></o:p></span></font></p>
<p class=MsoNormal><font size=2 face=Arial><span style='font-size:10.0pt;
font-family:Arial'><o:p> </o:p></span></font></p>
<p class=MsoNormal><font size=2 face=Arial><span style='font-size:10.0pt;
font-family:Arial'>The notations for the whole touch is: x5.34.4.5x56.6x9.78.8.9x90.0xA.ET.T.AxAB.BxF.CD.D.FxFG.GxHx1.34x34.1.34x34.1.34x34.1.34x34.1.34x34.1.34x34.1.34x34.1.34x34.1.34x34.1.34x34.1.34x34.1.x3x5x7x9xExAxCxFxH<o:p></o:p></span></font></p>
<p class=MsoNormal><font size=2 face=Arial><span style='font-size:10.0pt;
font-family:Arial'><o:p> </o:p></span></font></p>
<p class=MsoNormal><font size=2 face=Arial><span style='font-size:10.0pt;
font-family:Arial'>Robin Hall has made a file where this can be easily imported
into Abel - <a href="http://www.twiddlepin.org.uk/sounds/Northfield20.mcf">http://www.twiddlepin.org.uk/sounds/Northfield20.mcf</a>
- (you’ll need to load it into Abel and set the composition to<o:p></o:p></span></font></p>
<p class=MsoNormal><font size=2 face=Arial><span style='font-size:10.0pt;
font-family:Arial'>Northfield20 (rather than Plain Course))<o:p></o:p></span></font></p>
<p class=MsoNormal><font size=2 face=Arial><span style='font-size:10.0pt;
font-family:Arial'><o:p> </o:p></span></font></p>
<p class=MsoNormal><font size=2 face=Arial><span style='font-size:10.0pt;
font-family:Arial'>The grid for the touch is attached as a .pdf file. As you
will see, it really is very simple, and the coursing makes it really quite straightforward
to ring. The only challenge is the unfamiliarity of the high numbers of
bells.<o:p></o:p></span></font></p>
<p class=MsoNormal><font size=2 face=Arial><span style='font-size:10.0pt;
font-family:Arial'><o:p> </o:p></span></font></p>
<p class=MsoNormal><font size=2 face=Arial><span style='font-size:10.0pt;
font-family:Arial'>I especially like the way various concepts people naively
sometimes look on as undesirable or deeply eccentric (eg diverting from the “regular”
coursing order, 3 consecutive blows, the tenors the “wrong” way at
backstroke, ringing Kent, even-bell principles) can be combined together to
create what is to my mind a lovely effect. It’s like shocking people with
a blind wine tasting, or something similar.<o:p></o:p></span></font></p>
<p class=MsoNormal><font size=2 face=Arial><span style='font-size:10.0pt;
font-family:Arial'><o:p> </o:p></span></font></p>
<p class=MsoNormal><font size=2 face=Arial><span style='font-size:10.0pt;
font-family:Arial'>This sort of touch can be easily extended or
contracted. There are various modifications that can be introduced –
for example, the end section to get back to rounds becomes a bit more
sledgehammer the more bells you add. It could (indeed probably should) be
replaced with some hunting to a point and back again with the little bells for
a bit of variety.<o:p></o:p></span></font></p>
<p class=MsoNormal><font size=2 face=Arial><span style='font-size:10.0pt;
font-family:Arial'><o:p> </o:p></span></font></p>
<p class=MsoNormal><font size=2 face=Arial><span style='font-size:10.0pt;
font-family:Arial'><o:p> </o:p></span></font></p>
<p class=MsoNormal><font size=2 face=Arial><span style='font-size:10.0pt;
font-family:Arial'>The ringers were:<o:p></o:p></span></font></p>
<p class=MsoNormal><font size=2 face=Arial><span style='font-size:10.0pt;
font-family:Arial'><o:p> </o:p></span></font></p>
<p class=MsoNormal><font size=2 face=Arial><span style='font-size:10.0pt;
font-family:Arial'>1-2 Jennifer Butler<o:p></o:p></span></font></p>
<p class=MsoNormal><font size=2 face=Arial><span style='font-size:10.0pt;
font-family:Arial'>3-4 Mark Eccleston<o:p></o:p></span></font></p>
<p class=MsoNormal><font size=2 face=Arial><span style='font-size:10.0pt;
font-family:Arial'>5-6 Patrick Brooke<o:p></o:p></span></font></p>
<p class=MsoNormal><font size=2 face=Arial><span style='font-size:10.0pt;
font-family:Arial'>7-8 <st1:PersonName w:st="on">Philip Earis</st1:PersonName><o:p></o:p></span></font></p>
<p class=MsoNormal><font size=2 face=Arial><span style='font-size:10.0pt;
font-family:Arial'>9-10 David Pipe<o:p></o:p></span></font></p>
<p class=MsoNormal><font size=2 face=Arial><span style='font-size:10.0pt;
font-family:Arial'>11-12 Paul Mounsey<o:p></o:p></span></font></p>
<p class=MsoNormal><font size=2 face=Arial><span style='font-size:10.0pt;
font-family:Arial'>13-14 Richard Pearce<o:p></o:p></span></font></p>
<p class=MsoNormal><font size=2 face=Arial><span style='font-size:10.0pt;
font-family:Arial'>15-16 Graham Firman<o:p></o:p></span></font></p>
<p class=MsoNormal><font size=2 face=Arial><span style='font-size:10.0pt;
font-family:Arial'>17-18 Robert Newton<o:p></o:p></span></font></p>
<p class=MsoNormal><font size=2 face=Arial><span style='font-size:10.0pt;
font-family:Arial'>19-20 Michael Wilby.<o:p></o:p></span></font></p>
<p class=MsoNormal><font size=2 face=Arial><span style='font-size:10.0pt;
font-family:Arial'><o:p> </o:p></span></font></p>
<p class=MsoNormal><font size=2 face=Arial><span style='font-size:10.0pt;
font-family:Arial'>DJP conducted. Martin Cansdale kindly recorded the video
clip above with my camera whilst I was ringing. Dickon Love also made a
recording which he’s put onto YouTube here: <o:p></o:p></span></font></p>
<p class=MsoNormal><font size=2 face=Arial><span style='font-size:10.0pt;
font-family:Arial'><<a href="http://www.youtube.com/watch?v=MkEjumzbhpU">http://www.youtube.com/watch?v=MkEjumzbhpU</a>><o:p></o:p></span></font></p>
<p class=MsoNormal><font size=2 face=Arial><span style='font-size:10.0pt;
font-family:Arial'><o:p> </o:p></span></font></p>
<p class=MsoNormal><font size=2 face=Arial><span style='font-size:10.0pt;
font-family:Arial'><o:p> </o:p></span></font></p>
<p class=MsoNormal><font size=2 face=Arial><span style='font-size:10.0pt;
font-family:Arial'><o:p> </o:p></span></font></p>
<p class=MsoNormal><font size=2 face=Arial><span style='font-size:10.0pt;
font-family:Arial'><o:p> </o:p></span></font></p>
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